Media Institution Research
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Monday, 10 January 2011
Wednesday, 15 December 2010
Wednesday, 8 December 2010
Treatment
The Equilibrium - A man (Shaun) wakes up to a normal day, but everyday me see people throughout where he lives start disappearing and there are more death reports on the news.
The Disruption - Shaun finds out that there is a zombie attack because of a news report and zombies try to brake into his house.
The Recognition - Shaun finds his friends, Ray, John and Matthew in Ray's house, they decide to stick together and go to there school for shelter.
The Attempts To Repair The Disruption - They find a radio in the school that they can use to contact others to help them survive.
The New Equilibrium - They contact people and get help to rescue them but zombies are attacking them as they get rescued so they may not make it out alive.
The Equilibrium - A man (Shaun) wakes up to a normal day, but everyday me see people throughout where he lives start disappearing and there are more death reports on the news.
The Disruption - Shaun finds out that there is a zombie attack because of a news report and zombies try to brake into his house.
The Recognition - Shaun finds his friends, Ray, John and Matthew in Ray's house, they decide to stick together and go to there school for shelter.
The Attempts To Repair The Disruption - They find a radio in the school that they can use to contact others to help them survive.
The New Equilibrium - They contact people and get help to rescue them but zombies are attacking them as they get rescued so they may not make it out alive.
Research Into A Title Sequence Designer
Saul Bass
He began his time in Hollywood doing print work for film ads, until he collaborated with filmmaker Otto Preminger to design the film poster for his 1954 film Carmen Jones. Preminger was so impressed with Bass’s work that he asked him to produce the title sequence as well.
Carmen Jones (1954)
The Man with the Golden Arm (1955)
The Seven Year Itch (1955)
Around the World in Eighty Days (1956)
Storm Center (1956)
Bonjour Tristesse (1958)
Vertigo (1958)
Anatomy of a Murder (1958)
The Big Country (1958)
North by Northwest (1959)
Psycho (1960)
Spartacus (1960)
Exodus (1960)
Advise and Consent (1960)
Ocean's Eleven (1960)
West Side Story (1961)
Walk on the Wild Side (1962)
The Victors (1963)
Nine Hours to Rama (1963)
It's a Mad, Mad, Mad, Mad World (1963)
The Cardinal (1963)
In Harm's Way (1965)
Bunny Lake Is Missing (1965)
Grand Prix (1966)
Seconds (1966)
Broadcast News (1987)
Big (1988)
The War of the Roses (1989)
Goodfellas (1990)
Cape Fear (1991)
Doc Hollywood (1991)
The Age of Innocence (1993)
Casino (1995)
The Man With The Golden Arm
Anatomy Of Murder
In both of these opening title sequences created by Saul Bass they both have a similar typography. on each slide of the sequence we see something move and then there is either a persons name in or around what has just appeared onto the screen.
"My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it."
This is a quote what Saul Bass said about the design of title sequences and what he thought of them.
Saul Bass
He began his time in Hollywood doing print work for film ads, until he collaborated with filmmaker Otto Preminger to design the film poster for his 1954 film Carmen Jones. Preminger was so impressed with Bass’s work that he asked him to produce the title sequence as well.
Carmen Jones (1954)
The Man with the Golden Arm (1955)
The Seven Year Itch (1955)
Around the World in Eighty Days (1956)
Storm Center (1956)
Bonjour Tristesse (1958)
Vertigo (1958)
Anatomy of a Murder (1958)
The Big Country (1958)
North by Northwest (1959)
Psycho (1960)
Spartacus (1960)
Exodus (1960)
Advise and Consent (1960)
Ocean's Eleven (1960)
West Side Story (1961)
Walk on the Wild Side (1962)
The Victors (1963)
Nine Hours to Rama (1963)
It's a Mad, Mad, Mad, Mad World (1963)
The Cardinal (1963)
In Harm's Way (1965)
Bunny Lake Is Missing (1965)
Grand Prix (1966)
Seconds (1966)
Broadcast News (1987)
Big (1988)
The War of the Roses (1989)
Goodfellas (1990)
Cape Fear (1991)
Doc Hollywood (1991)
The Age of Innocence (1993)
Casino (1995)
The Man With The Golden Arm
Anatomy Of Murder
In both of these opening title sequences created by Saul Bass they both have a similar typography. on each slide of the sequence we see something move and then there is either a persons name in or around what has just appeared onto the screen.
"My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it."
This is a quote what Saul Bass said about the design of title sequences and what he thought of them.
Evidence Of Researching Your Chosen genre
Horror
Horror films are unsettling movies that strive to elicit the emotions of fear, disgust and horror from viewers. They often feature scenes that startle the viewer through the means of macabre and the supernatural, thus frequently overlapping with the fantasy and science fiction genres. Horrors also frequently overlap with the thriller genre.
Horror films deal with the viewer's nightmares, hidden worst fears, revulsions and terror of the unknown. Although a good deal of it is about the supernatural, if some films contain a plot about morbidity, serial killers, a disease/virus outbreak and surrealism, they may be termed "horror".
Let Men In Trailer (2010)
Plots written within the horror genre often involve the intrusion of an evil force, event, or personage, commonly of supernatural origin, into the everyday world. Themes or elements often prevalent in typical horror films include ghosts, torture, gore, werewolves, ancient curses, satanism, demons, vicious animals, vampires, cannibals, haunted houses, zombies and masked serial killers. Conversely, stories of the supernatural are not necessarily always a horror movie as well.
What is considered to be a horror film has varied from decade to decade. These days, the term "horror" is applied to films which display more explicit gore, jump scenes/scares or supernatural content (Wes Craven's New Nightmare, A Tale of Two Sisters, Saw films, The Strangers, The Ring, Session 9).
Early horror movies are largely based on classic literature of the gothic/horror genre, such as Dracula, Frankenstein, The Phantom of the Opera, and Dr. Jekyll and Mr. Hyde. More recent horror films continue to exploit the monsters of literature.
Horror
Horror films are unsettling movies that strive to elicit the emotions of fear, disgust and horror from viewers. They often feature scenes that startle the viewer through the means of macabre and the supernatural, thus frequently overlapping with the fantasy and science fiction genres. Horrors also frequently overlap with the thriller genre.
Horror films deal with the viewer's nightmares, hidden worst fears, revulsions and terror of the unknown. Although a good deal of it is about the supernatural, if some films contain a plot about morbidity, serial killers, a disease/virus outbreak and surrealism, they may be termed "horror".
Let Men In Trailer (2010)
Plots written within the horror genre often involve the intrusion of an evil force, event, or personage, commonly of supernatural origin, into the everyday world. Themes or elements often prevalent in typical horror films include ghosts, torture, gore, werewolves, ancient curses, satanism, demons, vicious animals, vampires, cannibals, haunted houses, zombies and masked serial killers. Conversely, stories of the supernatural are not necessarily always a horror movie as well.
What is considered to be a horror film has varied from decade to decade. These days, the term "horror" is applied to films which display more explicit gore, jump scenes/scares or supernatural content (Wes Craven's New Nightmare, A Tale of Two Sisters, Saw films, The Strangers, The Ring, Session 9).
Early horror movies are largely based on classic literature of the gothic/horror genre, such as Dracula, Frankenstein, The Phantom of the Opera, and Dr. Jekyll and Mr. Hyde. More recent horror films continue to exploit the monsters of literature.
Tuesday, 7 December 2010Institution Research
Film producers that will distribute our film 'Deadline' are production companies such as:
Paramount, Dreamworks SKG, 20th Century Fox and Universal Studios.
These types of film production companies would distribute our film because they are the production companies behind films such as The Ring, Predator, Cloverfield and Jurassic Park. These films were some of the biggest and best horror films that these film companies have created and our film Deadline will be in the high rankings with these films.
Paramount, Dreamworks SKG, 20th Century Fox and Universal Studios.
These types of film production companies would distribute our film because they are the production companies behind films such as The Ring, Predator, Cloverfield and Jurassic Park. These films were some of the biggest and best horror films that these film companies have created and our film Deadline will be in the high rankings with these films.
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